signed and dated in the imprint

from “Le 34 tavole di Robert Rauschenberg per l ́Inferno di Dante”, edited in 1965 by Edizioni Macorini, Milan, after the 1958-59 originals from the Museum of Modern Art, New York, “From the bridge, Dante and Virgil look down on the souls of fortune-tellers, astrologers and false prophets. Their heads are turned upside down on their bodies, so that they must look back forever.”