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signed and dated in the imprint
from “Le 34 tavole di Robert Rauschenberg per l ́Inferno di Dante”, edited in 1965 by Edizioni Macorini, Milan, based on the 1958-59 originals from the Museum of Modern Art, New York, “Dante encounters impostors, impersonators who pretend to be someone else, counterfeiters of money and word forgers who turn seemingly true things into lies.”