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signed and dated in the imprint
from “Le 34 tavole di Robert Rauschenberg per l ́Inferno di Dante”, edited in 1965 by Edizioni Macorini, Milano, after the 1958-59 originals from the Museum of Modern Art, New York, “One of the corrupt is seized by demons and tells of other robbers. The politicians accuse each other. In the ensuing chaos, Virgil and Dante are able to escape.”